Charles I and Henrietta Maria, small silver Royalist Badge, bare-headed bust of Charles left, with long hair with love lock on left shoulder, wearing falling lace collar, rev., bust of Henrietta Maria, nearly full-face, wearing pearl necklace, 26.5 x 19mm (MI 357/223; Platt I, type B, p. 287).
Very fine and toned, very rare.
Provenance: Bt. R. Falkiner, June 2005.
John Gidley (1632-c. 1713), surgeon, uniface oval bronze portrait medal, 1682, bust right, mantle around shoulders, JOANNES GIDLEY LOND, AD 1682 E S 50, 71 x 58mm (MI 590/268; Brettauer 401).
Very fine and extremely rare.
John Gidley was born and baptized in Winkleigh, Devon. He finished his education at Exeter College, Oxford, 1653/54 and gained an M.A. in 1660. He was a Freeman of the City of London and a member of the Barber-Surgeons’ Company. His brother Bartholomew was a famous Royalist during the Civil War whist some of his descendants emigrated to Newport, Rhode Island.
Provenance: Bt T. Millett, March 2009.
Elizabeth I, an engraved silver counter, in imitation of those by Simon de Passe, facing bust on ruff and arched crown, rev., REGINA, 22mm; others from the same set (4), each with male portrait, revs., armorial shields (2), Tudor rose and coronet; further counters (2), cross / rose and shield / rose, all 22mm, perhaps 18th century.
Very fine and possibly a unique group. (7)
A most unusual and un-explained group or part set.
The Christopher Foley, F.S.A., Collection Of Early English Medals 128
Princess Matilda and the Electress Sophia (1630-1714) and the Protestant succession, silver medal, 1701, by Samuel Lambelet, bust of Princess Matilda [daughter of Henry II] to right, legend in two lines around, MATILDAN FILIA H II R ANGL …, rev., bust of Princess Sophia [granddaughter of James I] to right, legend in two lines around, SOPHIA EX STIRPE …, 65mm (MI 218/542; Brockm 752; Stemper 197).
Large impressive medal, good very fine.
The medal was struck to demonstrate how, following the lack of male heirs by either Queen Mary or Queen Anne, the Protestant line would succeed to the English throne, from the descendants of these two princesses, as indeed happened in 1714.
Portrait of Charles, 8th Lord Kinnaird of Inchture (1780-1826)
By Johann Heinrich Schröder 1757-1812
Pastel drawing on paper 15 x 13 inches
Contained in Good giltwood frame
Framed size: 17¼ x 15½ inches
Johann Heinrich Schroeder (1757 Meiningen – 1812 Meiningen) was a pupil of J.H.Tischbein in Cassel, made study trips to England, where he portrayed members of the royal family, and to the Netherlands. He worked at various German courts (along with others in Hannover and Berlin), in 1785 became royal portraitist of the Duke of Brunswyck, further was a royal painter in Baden. During his late period he lived alternately in his native Meiningen and in Brunswyck. He worked mainly in pastel and was the best German artist of his time using this technique.
The ships burnt in the Medway and the Proclamation of Peace, silver medal, 1667, by Pieter van Abeele, the burning ships near Chatham, to right a vessel sinks, inscription on a ‘shell’ below. “Jun . 1667 Door Order van haer E. Hoogh Mog onder ‘t’beleyt van d . Heer . R . Mich . A . d . Ruyter L . Ad . generael syn besprongen op de Rivier van Chattam d Coninckx Oorloogh Schepen en die verbrant en gesonken”, rev., Peace seated on trophies, infant genii to either side and stands of shields, “Den 6 Serptembr Ano 1667 is de Vreede …van Groot-Britanien gepublifeert” , 72.5mm (MI 533/182; vL II, 559; MH 584; Pax 266).
Very fine and extremely rare.
King Charles I, a German hollow silver Memorial medal, 1649, by Hans Reinhardt the younger, signed HR in monogram on reverse, conjoined busts right of Charles and Henrietta Maria, he, in armour slightly turned, hair falling over plain lace collar, wearing Garter George on ribbon, she with pearl necklace, CAROLVS ET MARIA DG MAG BRITAN FRANE ET HIBER Rx ET Ra, rev., a seven headed monster rampant over the head of Charles and the crown and scepter, HEV QVÆNAM HÆC INSANIAVULGI
, 75mm (MI 350/209, illus.; vL -; Eim. 159; BDM VIII, 155-156; Platt p. 259).
A superb medal, nearly extremely fine and extremely rare.
The obverse was first used on the medal for the Anglo-Dutch Fishing Treaty of 1636, with the numerals of the date 16=36 to either side of the busts and with a reverse depicting Justice and Peace embracing (MI 279/ 84).
Charles I, pattern gold Unite, by Abraham Vanderdoort [van der Doort], mm. lis, armoured bust left, long hair falling over lace collar, wearing ribbon of the Garter George, rev., crowned royal arms in garnished oval shield, between crowned C – R, FLORENT CONCORDIA REGNA, 7.49g, 30mm (MI 374/269; Allen vi; Brooker 1239; North 2655; Wilson & Rasmussen 22; cf. Farquhar I, 178; Platt – ).
Very fine and very rare.
For a detailed account see ‘Abraham Vanderdort and the coinage of Charles I’, by Derek Allen from Helen Farquhar’s notes, NC 6, vol.1 (1941), pp. 54-75. This pattern (fig.6) is in the style of the pattern unite with mark of value, mm. plumes (fig.4) and the unique pattern five unites without mark of value, mm. rose (fig.5), better known as the Juxon Medal
Provenance: J.G. Brooker Collection. Ex. “Clarendon” Collection, pt. II, Captain Vivian Hewitt Collection.
*THIS MEDAL WAS STOLEN WHILE IN TRANSIT* May 2016
If you are offered this item or see it advertised for sale please contact me or the police
Listed on the Art Loss Register
Charles I, the return to London, cast gold medal, 1633, by Nicolas Briot, king on horseback left, holding sceptre in right hand, Eye of Providence above, plumed helmet on flowery ground below, CAROLVA AVGVSTISS ET INVICTISS MAG BRIT FRAN ET HIB MONARCHA – 1633, rev., a panoramic view of the city of London, with St Paul’s and old London Bridge, SOL ORBEM RADIANS SIC REX ILLVMINAT URBEM, view of the city of London, sun above, a small E to the left of the sun, 42.5mm (MI 266/62; Eim.124; CP.20/4; BMC [Jones] 158a; Platt p. 135, type B, this specimen illustrated).
Very fine, extremely rare.
Whilst the medal commemorates the king’s return to London following his Coronation in Scotland, Charles did not enter the city directly due to an outbreak of the plague.
Elizabeth I, the Dangers Averted, uniface lead or pewter cast impression of the obverse, 1589, by Nicholas Hilliard (c.1547-1619), facing crowned bust in elaborate dress and high ruff collar, holding sceptre and orb, DITIOR IN TOTO NON ALTER CIRCVLVS ORBE, wide raised border, 66 x 62.5mm, believed to be 18th Century (MI 154/130; cf Eim. 62; MH 19; Scher  164;).
Small piercing at top, cast with hollowed reverse, very fine.
Provenance: The Michael Hall Collection, Part I, 2010